This study isolates the Ferrari 250 GTO into its most immediate visual reading—where perception, angle, and structure converge into a single decisive moment.

​

The work reduces the car to a focused encounter between viewer and form. It is not presented as a complete object, but as a constructed viewpoint, where the eye determines meaning through selection rather than totality. In this way, the sculpture becomes less about the vehicle itself and more about how it is seen.

​

It is a study of recognition—how machines are understood in fragments before they are ever understood as a whole.

Total commissions: 50

​​

Sculpture statistics:
Width  = 11.75" or 30cm

Depth = 9.0" or 23cm 
Height = 9.25" or 23.5cm

Scale  = 1:3.7